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Catalog #: FP1758

  • CD £10.00
  • LP £18.00

D2C version on blue vinyl
Limited to 500 copies
140g vinyl

Release Date: 2nd October 2020

Hoops had to self-destruct in order to survive. Following the release of the band’s debut album Routines, the band had reached a point where years of hard work and creativity were just starting to pay off. They were hailed as one of the most inventive young bands around, with comparisons to Guided by Voices, My Bloody Valentine, and the Radio Dept., and that’s exactly when they broke up the band.

Freed from the weight of Hoops, overtime they kept writing what they thought sounded like Hoops songs, demos of which they sent back and forth to each other. There was no pressure to make anything of them, though, and that revived some of the excitement they felt when they made their first cassettes. In December 2019, Beresford called up his old friends to see how they felt about reviving the band: “I missed working with those guys. I’d been writing these songs and I thought we could do well together. They’re my best friends and my favorite collaborators, so I was happy they were so receptive to it.”

Just a few months later, they met up in Bloomington, Indiana, to record Halo. For a week, they worked all day experimenting with each other’s songs. Where they had once guarded their own songs in the studio, at Russian they discovered they were opening themselves up to more possibilities. “We were trying out crazy ideas, doing things on the fly, and not getting super caught up in things not sounding how we thought they would,” says Auscherman. “I think a good way to describe our band is that we all produce each other.” It felt like summer camp, not just because they were sleeping in bunkbeds but because it had been ages since they had all spent that much time together in the same space.

Reaching this point nearly destroyed the band, but Auscherman, Beresford, and Krauter emerged stronger and closer for their time apart. “This record is a more honest representation of our influences and interests as musicians,” says Auscherman. “We’ve grown a lot in four years, as people
and as listeners. We’re starting to sound more like ourselves.”